Cembali Frezzato & Di Mattia
Harpsichords and Fortepianos makers
Instruments
Flemish Harpsichord
G / P. Taskin 1764/83
Extension FF - G3 (63 keys) 2x8 '- 1x4' - Peau de Buffle - Lute
Transposition 392/415/440 Hz
Italian harpsichord
Artemisia Gentileschi - "Giuditta e la fantesca Abra"
"I liked the idea, maybe the blade of the sword cutting the lace. Sword and lace: two worlds so different but dangerously touching. Yes. It would have been a new thing, all mine, and it would not have belonged to an era in which women hid their abilities to submit to a man, even her husband. "
From "The Passion of Artemisia" by Susan Vreeland
Spruce soundboard - Si / mi extension - Transposition 440/415 Hz - 8'x8 '' - Dimension: 221x87x24
Italian harpsichord
A Renaissance detail inspired by the Basilica of Santa Maria Novella in Florence
Cypress soundboard, Si / mi extension Transposition 440/415 Hz - 8'x8 '' - Dimension: 221x87x24
Flemish harpsichord
J. Ruckers "grand revalement" Anversa 1612
FF extension - f3 (61 keys) - 8'8'4 '- Two manuals
415 Hz / 440 Hz transposition and Lute.
Soundboard in spruce
Dimensions 2400mm x 950mm x 270mm
Italian harpsichord
C.Grimaldi with modifications
2x8’– Sol-Re registers (55 keys)
Transposition 415/440
Dimensions 2460mm x 900mm x 190mm approx.
Soundboard in cypress
Cabinet finishes with Makassar
The Farinelli Manuscript
A project by Stefano Aresi with the intense, refined voice of the Mezzosoprano Ann Hallemberg and the Galante Ensemble Stile
Roberto Loreggian
Flemish Ruckers "Grand Revalement" 1612
Roberto Loreggian e Federico Guglielmo
Carl Philipp Emanuel Bach Edition Brilliant Classics. The harpsichord used is a copy of J. Ruckers "grand revalement" Antwerp 1612 .
Roberto Loreggian
Complete Harpsichord Music Edition Brilliant Classics - The instruments used are: A copy of J. Ruckers harpsichord Flemish two manuals and two harpsichords Italian school.